Essays
Twelve Haircuts | Someone Like Me (UQP, 2025)
Neuroqueer(ing) pleasure | Archer, Sept 2024
Hungry Little DisHuman Beings | Kill Your Darlings, Jan 2023
Audio-visual essay: Joy at the End of the World | EWF, June 2021
What I’m Reading | Meanjin, October 2020
Companion Planting | Kill Your Darlings, August 2020
On Chickens | Going Down Swinging, May 2020
[CABIN FEVER] | Antic Magazine, 2019
in defence of watching paint dry | Voiceworks #113, 2018
Blood in all my titles | Kill Your Darlings, March 2017
Commentary
‘Name has been changed’: On JobSeeker, personal stories and structural change | VCOSS, Mar 2021
Fiercely interdependent | Feminist Writers Festival, Nov 2020
A feminist ethics of care | Overland, Oct 2018
“Kids are gross”: on feminists and agency | Overland, August 2017
Criticism
Mad Pride: a review of ‘The Autists’ by Clara Törnvall | Sydney Review of Books, 2023
A World Outside a Diagnostic Manual: a review of ‘Growing in to Autism’ by Sandra Thom-Jones | Meanjin, 2022
Fragile Networks: a review of ‘Higher Ground’ by Anke Stelling | Meanjin, 2021
Bodies in peril: a review of ‘Everybody’ by Olivia Laing | Australian Book Review, Oct 2021
Walking fuel stocks: a review of ‘Women of a Certain Rage’, edited by Liz Byrski | Australian Book Review, Feb 2021
A new kind of ‘momoir’: a review of ‘Inferno’ by Catherine Cho | Australian Book Review, June 2020
The spliced ‘I’: a review of ‘Blueberries’ by Ellena Savage | Australian Book Review, April 2020
Songs about bread and salt: a response to Vardos at Music Always | The Lifted Brow, Dec 2019
The worst & the perfect: a response to Grace Ferguson & Fia Fiell | The Lifted Brow, Nov 2019
August in nonfiction | Overland, August 2019
Sweat and Strings: a response to English Baroque with Circa | The Lifted Brow, July 2019